{"id":433,"date":"2020-10-09T17:13:46","date_gmt":"2020-10-09T15:13:46","guid":{"rendered":"https:\/\/fumettoitaliano.com\/iicistanbul\/?page_id=433"},"modified":"2020-10-14T17:14:36","modified_gmt":"2020-10-14T15:14:36","slug":"tr","status":"publish","type":"page","link":"https:\/\/fumettoitaliano.com\/iicistanbul\/tr\/","title":{"rendered":"\u00c7a\u011fda\u015f \u00e7izgi romanlar"},"content":{"rendered":"
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XX D\u00fcnyada \u0130talyan Dili Haftas\u0131
19 \u2013 25 Ekim 2020
\u201cS\u00f6zc\u00fckler ve imgelerle \u0130talyanca: grafiti, ill\u00fcstrasyon ve \u00e7izgi romanlar\u201d<\/strong><\/em><\/p>\n\n\n\n

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\u00c7a\u011fda\u015f \u00e7izgi romanlar<\/strong><\/em><\/strong><\/em><\/h1>\n\n\n\n

\u0130talyan \u00e7izgi roman\u0131nda konular, yazarlar ve diller<\/em><\/em><\/p>\n\n\n\n

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Dijital sergi kurat\u00f6r\u00fc<\/em>:<\/strong> Giovanni Russo<\/em>
Himayelerinde:<\/strong> T\u00fcrkiye\u2019deki italya B\u00fcy\u00fckel\u00e7ili\u011fi<\/em>
Yap\u0131m ve organizasyon:<\/strong> Lucca Crea-Lucca Comics&Games, istanbul \u0130talyan K\u00fclt\u00fcr Merkezi<\/em>
Metinler:<\/strong> Giovanni Russo
Grafik ve tasar\u0131m:<\/strong> Francesco Bonturi<\/em>
\u00c7eviriler:<\/strong> Tanju \u015eahan<\/em>
Onur Kurulu<\/strong><\/strong>:
Massimo Gaiani, \u0130talya B\u00fcy\u00fckel\u00e7isi
Salvatore Schirmo, \u0130stanbul \u0130talyan K\u00fclt\u00fcr Merkezi M\u00fcd\u00fcr\u00fc
Alessandro Tambellini, Lucca Belediye Ba\u015fkan\u0131
Francesca Fazzi<\/em>, Lucca Crea S.R.L. Ba\u015fkan\u0131
Giovanni Russo, Lucca Comics&Games Koordinat\u00f6r\u00fc<\/em><\/p>\n\n\n\n

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\u00a9 Lucca Crea-Lucca Comics&Games \/ Istanbul \u0130talyan K\u00fclt\u00fcr Merkezi<\/strong><\/strong>
Tutti i diritti riservati \/ T\u00fcm haklar\u0131 sakl\u0131d\u0131r \/ All rights reserved<\/p>\n\n\n\n



LUCCA CREA S.R.L. – Corso Garibaldi 53 – 55100 Lucca, Italy – P. Iva 01966320465
Genel gizlilik bilgileri<\/a> – \u00c7erez politikas\u0131<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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1<\/em><\/p>\n\n\n\n

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\u0130talyan \u00e7izgi roman:<\/em><\/strong>
giri\u015f<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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“Fumetti\u201d(Dumanc\u0131klar), \u00e7izgi romanlar i\u00e7in kullan\u0131lan \u0130talyanca bir terimdir ve
“k\u00fc\u00e7\u00fck duman \u00f6bekleri” olarak terc\u00fcme edilebilir, karakterlerin konu\u015fmalar\u0131, baloncuklar i\u00e7inde yaz\u0131l\u0131r. So\u011fuk havada yo\u011funla\u015fan bir nefesten ziyade kolayca bir sigara duman\u0131na benzetilebilir ve ayr\u0131ca sigara i\u00e7menin 1950’lerden itibaren t\u00fcm sosyal s\u0131n\u0131flarda yayg\u0131nla\u015fan bir al\u0131\u015fkanl\u0131k haline gelmesi de tesad\u00fcf de\u011fildir. Daha \u00f6nce, 1930’larda yazar Antonio Rubino, “kare panolar” terimini kullanm\u0131\u015ft\u0131 ama insanlar \u00e7izgi romana genelde k\u0131saca “mecmua\u201d diyorlard\u0131.<\/p>\n<\/div><\/div>\n\n\n\n

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Yan\u0131p s\u00f6nen oklar\u0131 t\u0131klay\u0131n veya klavyeyi kullan\u0131n<\/figcaption><\/figure><\/div>\n\n\n\n
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Yan\u0131p s\u00f6nen oklar\u0131 t\u0131klay\u0131n veya ekran\u0131 kayd\u0131r\u0131n<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n
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2<\/em><\/p>\n\n\n\n

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\u0130talyan \u00e7izgi roman:<\/em><\/strong>
tarihsel notlar<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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\u0130talya’da \u00e7izgi romanlar\u0131n uzun bir ge\u00e7mi\u015fi vard\u0131r. T\u00fcr\u00fcn ilk \u00f6rnekleri \u00e7ocuklara y\u00f6nelik yay\u0131nlard\u0131. (Il Corriere dei Piccoli dergisinin tarihi 1908 y\u0131l\u0131na uzan\u0131r) Ra\u011fbet g\u00f6ren bu alana uzun s\u00fcre sad\u0131k kal\u0131narak hedef kitlesi kademeli olarak geni\u015fletildi ve zamanla cinsiyet ayr\u0131m\u0131 g\u00f6zetilmeksizin t\u00fcm ya\u015f gruplar\u0131na hitap eder hale getirildi. 1960’larda \u00fcretimin daha sofistike seviyeye ula\u015fmas\u0131 sekt\u00f6r\u00fcn nihai olgunlu\u011funa i\u015faret etse de k\u00fclt\u00fcrel ilginin toplumsal boyuta ula\u015ft\u0131\u011f\u0131n\u0131 s\u00f6ylemek m\u00fcmk\u00fcn de\u011fildir.
Genel anlamda bilin\u00e7li hedeflenmemi\u015fse de \u0130talya, \u00e7izgi roman d\u00fcnyas\u0131n\u0131n s\u00fcper g\u00fc\u00e7leri aras\u0131na kat\u0131larak d\u00fcnyan\u0131n \u00f6nde gelen yap\u0131mc\u0131lar\u0131ndan biri haline geldi. \u0130talya bug\u00fcn bile hem sat\u0131\u015f hem de \u00fcretim a\u00e7\u0131s\u0131ndan d\u00fcnyan\u0131n d\u00f6rd\u00fcnc\u00fc b\u00fcy\u00fck pazar\u0131d\u0131r.<\/p>\n<\/div><\/div>\n<\/div>\n

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3<\/em><\/p>\n\n\n\n

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\u0130talyan \u00e7izgi roman:<\/em><\/strong><\/em><\/strong>
pazar<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Milyonlarca dolar<\/em><\/strong><\/h2>\n\n\n\n

Bu tablo, d\u00fcnya \u00e7ap\u0131nda \u00f6nde gelen \u00e7izgi roman pazarlar\u0131n\u0131n g\u00f6receli boyutlar\u0131n\u0131 g\u00f6stermektedir. Kesin rakamlar vermek g\u00fc\u00e7t\u00fcr, ancak piyasan\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fc hakk\u0131nda kabaca bir fikir verebilir. Avrupa’da, Fransa ve Bel\u00e7ika, Bande Dessin\u00e9e’nin ortak gelene\u011fi olarak tek bir pazar alt\u0131nda toplanm\u0131\u015flard\u0131r. Veriler, yan sekt\u00f6rleri (sinema, ma\u011fazac\u0131l\u0131k, vb.) i\u00e7ermemektedir.<\/p>\n<\/div>\n\n\n\n

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