{"id":433,"date":"2020-10-09T17:13:46","date_gmt":"2020-10-09T15:13:46","guid":{"rendered":"https:\/\/fumettoitaliano.com\/iicbelgrado\/?page_id=433"},"modified":"2020-10-12T12:31:48","modified_gmt":"2020-10-12T10:31:48","slug":"sr","status":"publish","type":"page","link":"https:\/\/fumettoitaliano.com\/iicbelgrado\/sr\/","title":{"rendered":"Novi strip"},"content":{"rendered":"<div id=\"fullpage\">\n<div class=\"section bgcover coverpage nextbtn nextbtn-center nextbtn-dark\">\n<div class=\"wp-block-columns bgw is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<div class=\"wp-block-cover\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/copertina.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size\"><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column d-flex align-items-center justify-content-center flex-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h1 class=\"has-text-align-center htop wp-block-heading\"><em><strong>Novi strip<\/strong><\/em><\/h1>\n\n\n\n<p class=\"has-text-align-center subtitle\"><em>teme, autori i jezik u italijanskom grafi\u010dkom romanu<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns flags is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"167\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/it.png\" alt=\"\" class=\"wp-image-531\"\/><\/a><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/sr\/\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"167\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/sr.png\" alt=\"\" class=\"wp-image-532\"\/><\/a><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><em><strong>produkcija<\/strong><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large px-4 px-lg-5 maximg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"175\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-1024x175.png\" alt=\"\" class=\"wp-image-499\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-1024x175.png 1024w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-300x51.png 300w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-768x131.png 768w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli.png 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em><strong>Tekstovi:<\/strong> \u0110ovani Ruso<br><strong>Grafika i prelom:<\/strong> Fran\u010desko Bonturi<br><strong>Prevod:<\/strong> Ljiljana Bogojevi\u0107, Tamara Bo\u0161kovi\u0107, Jelena Radovanovi\u0107, Tihana Trkulja<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center small\">Sve slike su za\u0161ti\u0107ene autorskim pravima<br><br>LUCCA CREA S.R.L. &#8211; Corso Garibaldi 53 &#8211; 55100 Lucca, Italy &#8211; P. Iva 01966320465<br><a href=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/opste-informacije-o-privatnosti\/\" data-type=\"page\" data-id=\"547\">Op\u0161te informacije o privatnosti<\/a> &#8211; <a href=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/politika-kolacica\/\" data-type=\"page\" data-id=\"549\">Politika kola\u010di\u0107a<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/italian-comics-1.jpg')\" id=\"italijanski-strip\">\n<div class=\"wp-block-group slide slide-intro bgb crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>1<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>italijanski strip:<\/em><\/strong><br><strong><em><strong><em>uvod<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgb crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo bgt crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Ime strip na italijanskom jeziku (fumetto) vodi poreklo od obla\u010di\u0107a koji podse\u0107aju na oblake dima (fumo) a u kojima su ispisane re\u010di likova. Lak\u0161e je napraviti paralelu sa dimom cigarete nego sa dahom koji se kondenzuje u hladnim danima. I nije slu\u010dajno \u0161to je ovaj naziv po\u010deo da se koristi po\u010detkom pedesetih godina kada pu\u0161enje postaje navika koja se \u0161iri me\u0111u svim dru\u0161tvenim slojevima. Prethodni poku\u0161aj imenovanja, koje je tridesetih godina predlo\u017eio autor Antonio Rubino, bio je \u201ekvadratne ilustracije\u201c, ali za ve\u0107inu stripovi su jednostavno \u201ezabavnici\u201c.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group growl\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-image imgintro imgkeyboard\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tastiera-frecce-tutte-2.gif\" alt=\"\" class=\"wp-image-421\" width=\"158\" height=\"108\"\/><figcaption>Kliknite na strelice koje trepere ili koristite tastaturu<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized imgintro imgtouch\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hand-swipe.gif\" alt=\"\" class=\"wp-image-422\" width=\"158\" height=\"108\"\/><figcaption>Kliknite trep\u0107u\u0107u strelicu ili se kre\u0107ite prevla\u010denjem<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/italian-comics-brief-history.jpg')\">\n<div class=\"wp-block-group slide slide-intro bgb crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>2<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>italijanski strip:<\/em><\/strong><br><strong><em><strong><em>istorijske napomene<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgb crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo bgt crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Strip u Italiji ima dugu istoriju. Nakon \u0161to se pojavio kao sadr\u017eaj za decu (\u010duveni \u010dasopis \u201eKorijere za decu\u201c je iz 1908), strip postepeno osvaja publiku, obra\u0107a se kako mu\u0161karcima tako i \u017eenama i svim starosnim grupama, dugo ostaju\u0107i veran \u0161iroj populaciji. Sofisticiranija proizvodnja pojavljuje se po\u010detkom \u0161ezdesetih godina \u010dime ovaj medijum dosti\u017ee kona\u010dnu zrelost, ali njegova kulturna relevantnost ipak sa te\u0161ko\u0107ama biva dru\u0161tveno prihva\u0107ena. Potpuno nesvesno Italija postaje jedan od glavnih svetskih proizvo\u0111a\u010da i ulazi u uzak krug velesila u oblasti stripa. I danas je Italija \u010detvrto tr\u017ei\u0161te na svetu kako po prodaji tako i po proizvodnji.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \">\n<div class=\"wp-block-group slide slide-intro\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>3<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>italijanski strip:<\/em><\/strong><\/em><\/strong><br><strong><em><strong><em><strong><em><strong><em>tr\u017ei\u0161te<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-colonne grafico\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center testo is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"mb-4 wp-block-heading\"><strong><em>Iznos u milijardama dolara<\/em><\/strong><\/h2>\n\n\n\n<p>Grafikon prikazuje relativne razmere glavnih svetskih tr\u017ei\u0161ta stripa. Brojevi, koji nisu uvek lako dostupni, nisu precizni, ali pru\u017eaju dovoljno jasnu sliku o redosledu veli\u010dina. U Evropi su Francuska i Belgija objedinjene u jedinstveno makro tr\u017ei\u0161te na osnovu zajedni\u010dke tradicije stripa. Ovi podaci ne uzimaju u obzir tr\u017ei\u0161ta proistekla iz tr\u017ei\u0161ta stripa (filmska industrija, mer\u010dendajzing, itd).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<canvas class=\"animchart\" id=\"chart14n1\" width=\"400\" height=\"400\"><\/canvas>\n<script>\nwindow.chart14n1 = {\n    type: 'bar',\n    data: {\n        labels: ['Japan', 'SAD', 'Fra\/Bel', 'Italija', '\u0160panija'],\n        datasets: [{\n            label: 'milijarde $',\n            data: [4, 1, 0.5, 0.25, 0.1],\n            backgroundColor: [\n                'rgba(0, 161, 154, 1)',\n                'rgba(0, 161, 154, 1)',\n                'rgba(0, 161, 154, 1)',\n                'rgba(227, 6, 19, 1)',\n                'rgba(0, 161, 154, 1)'\n            ],\n            borderWidth: 0\n        }]\n    },\n    options: {\n        legend: {\n            display: false\n        },\n        tooltips: {\n            callbacks: {\n               label: function(tooltipItem, data) {\n                    var label = data.datasets[tooltipItem.datasetIndex].label || '';\n                    if (label) {\n                        label = tooltipItem.yLabel + ' ' + label;\n                    }\n                    return label;\n                }\n            }\n        },\n        scales: {\n            yAxes: [{\n                ticks: {\n                    beginAtZero: true,\n                    fontColor: 'white'\n                }\n            }],\n            xAxes: [{\n                ticks: {\n                    fontColor: 'white'\n                }\n            }],\n        }\n    }\n};\n<\/script>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-colonne grafico\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center testo is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"mb-4 wp-block-heading\"><strong><em><strong><em>Iznos u dolarima po osobi godi\u0161nje<\/em><\/strong><\/em><\/strong><\/h2>\n\n\n\n<p>Indeks tr\u017ei\u0161ne penetracije stripa, izra\u010dunat kao odnos izme\u0111u vrednosti tr\u017ei\u0161ta i broja stanovnika.<\/p>\n\n\n\n<p>Indeks okvirno prikazuje iznos u dolarima koji svaki stanovnik godi\u0161nje potro\u0161i na stripove.<br>Ukoliko uporedimo veli\u010dinu tr\u017ei\u0161ta sa brojem stanovnika, Italija je na tre\u0107em mestu i nalazi se ispred Sjedinjenih ameri\u010dkih dr\u017eava.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<canvas class=\"animchart\" id=\"chart14n2\" width=\"400\" height=\"400\"><\/canvas>\n<script>\nwindow.chart14n2 = {\n    type: 'bar',\n    data: {\n        labels: ['Japan', 'SAD', 'Fra\/Bel', 'Italija', '\u0160panija'],\n        datasets: [{\n            label: '$',\n            data: [31, 3, 6.37, 3.7, 1.9],\n            backgroundColor: [\n                'rgba(0, 161, 154, 1)',\n                'rgba(0, 161, 154, 1)',\n                'rgba(0, 161, 154, 1)',\n                'rgba(227, 6, 19, 1)',\n                'rgba(0, 161, 154, 1)'\n            ],\n            borderWidth: 0\n        }]\n    },\n    options: {\n        legend: {\n            display: false\n        },\n        tooltips: {\n            callbacks: {\n               label: function(tooltipItem, data) {\n                    var label = data.datasets[tooltipItem.datasetIndex].label || '';\n                    if (label) {\n                        label = tooltipItem.yLabel + ' ' + label;\n                    }\n                    return label;\n                }\n            }\n        },\n        scales: {\n            yAxes: [{\n                ticks: {\n                    beginAtZero: true,\n                    fontColor: 'white'\n                }\n            }],\n            xAxes: [{\n                ticks: {\n                    fontColor: 'white'\n                }\n            }],\n        }\n    }\n};\n<\/script>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/italian-comics-genres-and-characters.jpg')\">\n<div class=\"wp-block-group slide slide-intro bgb crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>4<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>italijanski strip<\/em><\/strong><\/em><\/strong>:<br><strong><em>\u017eanrovi i likovi<\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgb crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo bgt crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Italijanski strip, namenjen \u0161iroj populaciji, predstavio je veliku raznovrsnost \u017eanrova i likova koji su u po\u010detku bili pod uticajem ameri\u010dkog stripa. I danas je najprodavaniji strip u Italiji \u201eTex\u201c, vestern koji se svakog meseca proda u vi\u0161e primeraka nego \u0161to se u SAD-u proda tipi\u010dan strip nekog od najpopularnijih superheroja. Ameri\u010dkog porekla je i italijanska produkcija stripa Dizni, najve\u0107eg na svetu, koji se izvozi svuda uklju\u010duju\u0107i i SAD. Me\u0111u tipi\u010dnije italijanske \u017eanrove ubrajaju se bogat pravac \u201ecrnog\u201c stripa o nemilosrdnim antiherojima i zna\u010dajna proizvodnja foto-stripova koji su namenjeni pre svega \u017eenskoj publici.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/graphic-novel-origins.jpg')\" id=\"graficki-roman\">\n<div class=\"wp-block-group slide slide-intro bgr crossfade tor\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>5<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>grafi\u010dki roman:<\/em><\/strong><br><strong><em><strong><em>po\u010deci<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgr crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Dugo prodavani na kioscima u Italiji, u XXI veku stripovi su prona\u0161li svoj prostor i u knji\u017earama sa takozvanim grafi\u010dkim romanima.<br>Grafi\u010dki roman je engleski naziv koji je u\u0161ao u upotrebu i u Italiji po\u010detkom XXI veka kako bi ozna\u010dio tipologiju dugog stripa u formatu knjige i koji po pravilu ima zavr\u0161etak. Ovaj naziv je popularizovao sedamdesetih godina veliki ameri\u010dki autor Vil Ajzner, koji ga je upotrebio kako bi definisao novu tipologiju stripa na kojoj je radio, po\u010dev od debitantskog ostvarenja \u201eUgovor sa Bogom\u201c (1972). Iako Ajzner nije izmislio ovo ime on je prvi jasno istakao potrebu da se ono uvede kako bi se napravila razlika izme\u0111u novog stripa grafi\u010dkog romana u odnosu na postoje\u0107e forme i sadr\u017eaje za koje se, s pravom ili ne, smatralo da su samo zabavnog karaktera.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/graphic-novel-themes-and-positioning.jpg')\">\n<div class=\"wp-block-group slide slide-intro bgr crossfade tor\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>6<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>grafi\u010dki roman:<\/em><\/strong><br><strong><em><strong><em>teme i pozicioniranje<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgr crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo bgt crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Kada je re\u010d o sadr\u017eaju, naziv grafi\u010dki roman upu\u0107uje na ve\u0107i opseg mogu\u0107ih tema koji nije ograni\u010den kodifikacijom zabavnih \u017eanrova; pridaje ve\u0107i zna\u010daj ljudskom stanju, kako materijalnom tako i psiholo\u0161kom, daje vi\u0161e prostora autoru i njegovoj li\u010dnosti i omogu\u0107ava ve\u0107u stilsku raznovrsnost. To je semanti\u010dko polje sli\u010dno autorskom filmu ili ne\u017eanrovskom romanu u literaturi, \u0161to je upravo ono \u0161to je nedostajalo stripu. Ne radi se toliko o tome da se dostignu knji\u017eevne kategorije da bi dobio na zna\u010daju, ve\u0107 da se realno ra\u0161iri oblast delovanja stripa, koja postaje sli\u010dna onoj knji\u017eevnoj, ne zato \u0161to usvaja njene izraze ve\u0107 zato \u0161to dosti\u017ee njen konceptualni okvir: to je oblast koja uklju\u010duje zabavu i to ne pori\u010de, ali isto tako istra\u017euje i nepristupa\u010dne teritorije, \u0161to po pravilu ne budi neposredno zadovoljstvo.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover \"style=\"background-image: url('https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/italian-graphic-novel-the-pioneers.jpg')\" id=\"autori\">\n<div class=\"wp-block-group slide slide-intro bgv crossfade tov\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>7<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>italijanski grafi\u010dki roman:<\/em><\/strong><br><strong><em><strong><em>prethodnici<\/em><\/strong><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-image bgv crossfade tot\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group slide slide-testo bgt crossfade tob\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Kada je kreativnost u pitanju scena grafi\u010dkog romana je veoma bogata. Pojava ve\u0107 priznatih majstora na me\u0111unarodnom nivou, kao \u0161to je \u0110ipi, samo je vrh ledenog brega koji predstavlja mnoge izvrsne autore, tematsku raznovrsnost i veliki broj debitanata koji, iako nisu svi istog nivoa, oboga\u0107uju scenu mladih talenata.<\/p>\n\n\n\n<p>U nastavku prikazujemo put italijanskog grafi\u010dkog romana koji se, po\u010dev od \u010duvenih prethodnika Dina Bucatija, Huga Prata i Andree Pacijence, odlu\u010dno fokusira na novi vek. Koliko god da naziv grafi\u010dki roman vodi na pomisao o novom transnacionalnom i eminentno savremenom pokretu, trenutna situacija ne bi se mogla razumeti bez tradicije italijanskog stripa koja se, bilo da je re\u010d o grafi\u010dkom romanu ili ne, ubraja me\u0111u najbogatije na svetu.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">8<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Dino Bucati, <strong>Poema a fumetti<\/strong>, 1969<\/em><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-1.jpg\" alt=\"\" class=\"wp-image-104\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-2.jpg\" alt=\"\" class=\"wp-image-105\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/dino-buzzati-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Dino Bucati<\/strong><\/em><\/h2>\n\n\n\n<p>Dino Bucati (1906-1972) poznat je kao jedan od najve\u0107ih italijanskih pisaca XX veka. Njegovo delo \u201eTatarska pustinja\u201c (1940), pri\u010da o zvani\u010dniku koji u pustoj tvr\u0111avi \u010deka napad misterioznog neprijatelja koji nikad ne\u0107e do\u0107i, jednoglasno se smatra njegovim remek-delom. Bucati je me\u0111utim bio i slikar, autor slika koje su \u010desto bile inspirisane njegovim voljenim stripovima.<br>Godine 1969. Bucati je spajaju\u0107i pisanje i slikarstvo u izrazito li\u010dnu formu stripa realizovao \u201ePoemu u stripu\u201c koju bismo danas bez ustezanja zvali grafi\u010dki roman. \u201ePoema\u201c predstavlja najsimboli\u010dniji rezultat velike znati\u017eelje koju su stripovi pobudili kod italijanskih intelektualaca tokom \u0161ezdesetih godina, razdoblja velikog autorskog stripa. Savremenica Pratove \u201eBalade\u201c, \u201ePoema\u201c predstavlja novu interpretaciju mita o Orfeju i Euridici u savremenom duhu. Radnja govori o mladom peva\u010du Orfiju koji na onaj svet sledi voljenu Euru nakon \u0161to ju je video kako nestaje kroz vrata\u0161ca zidina jedne misteriozne vile u fiktivnoj ulici u Milanu. S one strane mrtvi \u017eive uvek u apatiji, bez strahova ali i bez \u017eelja i pravih ose\u0107anja. Snagom svojih pesama Orfi sti\u017ee do svoje voljene ali \u0107e kraj i za njega biti gorak, kao \u0161to je bio i za gotovo istoimenog Orfeja.<br>Ekscentri\u010dna priroda \u201ePoeme\u201c, bilo u odnosu na knji\u017eevnost ili na slikarstvo i strip, u\u010dinila ju je misterioznim delom koje se ne mo\u017ee adekvatno svrstati ni u jednu od ove tri oblasti. Istina je da samo kad se istovremeno gleda sa svih strana, jasno dolazi do izra\u017eaja kreativnost jednog od najoriginalnijih dela italijanske kulture XX veka.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-6 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">9<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Hugo Prat, <strong>Corto Maltese &#8211; &#8230;e di altri Romei e di altre Giuliette, <\/strong>1973<\/em><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-1.jpg\" alt=\"\" class=\"wp-image-147\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-2.jpg\" alt=\"\" class=\"wp-image-148\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/hugo-pratt-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Hugo Prat<\/strong><\/em><\/h2>\n\n\n\n<p>Hugo Prat (1927-1995) je jednoglasno priznat kao jedan od najve\u0107ih autora svetskog stripa, i govoriti o njemu neizbe\u017eno zna\u010di govoriti o Kortu Maltezeu, njegovom najzna\u010dajnijem liku.<\/p>\n\n\n\n<p>Korto Malteze, mornar i avanturista, pojavljuje se po prvi put u \u201eBaladi o slanom moru\u201c, grafi\u010dkom romanu koji je od 1967. po\u010deo da se objavljuje u epizodama. Najpotpuniji rezultat Kortovih avantura i \u010ditave Pratove umetnosti ipak pru\u017ea naredni roman, \u201eKorto Malteze u Sibiru\u201c (1974-1977), koji sti\u017ee nakon niza sjajnih pri\u010da \u010dija svrha je bila da jasno defini\u0161u ovaj lik. Naslov na italijanskom odnosi se na dvor u Veneciji, ali se radnja, kroz koju prolaze vojskovo\u0111e konstantno ratuju\u0107i me\u0111u sobom, odvija izme\u0111u Kine tajnih dru\u0161tava, Mongolije u jeku nacionalisti\u010dkog previranja i Rusije u predrevolucionarnom haosu.<br>Pratova veli\u010dina ne ogleda se toliko u njegovom majstorstvu u opisivanju avanture ve\u0107 u njegovoj sposobnosti da avanturu preobrazi u mentalno stanje, u moralni stav. On ne pripoveda da bi zabavio, osim u retkim prilikama: Prat govori o neophodnosti avanture koja se shvata kao neophodnost otvaranja prema svetu. Re\u010d je o izuzetno humanisti\u010dkoj poziciji, utoliko pre \u0161to je izra\u017eena sa aristokratijom svojstvenom intelektualcima, koja je sli\u010dna onoj u pri\u010dama, aristokratiji jednog \u201ed\u017eentlmena sre\u0107e\u201c kakav je Korto. To je pozicija koja odzvanja kao bezvremenska istina a koja je istovremeno i potpuno aktuelna.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">10<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em><em><strong>Andrea Pacijenca<\/strong><\/em>,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-1.jpg\" alt=\"\" class=\"wp-image-152\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em>Le straordinarie avventure di Pentothal, <\/em><\/strong><em>1977-1981<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-2.jpg\" alt=\"\" class=\"wp-image-153\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em>Zanardi &#8211; Giallo scolastico, <\/em><\/strong><em>1981<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-3.jpg\" alt=\"\" class=\"wp-image-154\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-3.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-3-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/andrea-pazienza-3-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em>Pompeo, <\/em><\/strong><em>1985-1987<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Andrea Pacijenca<\/strong><\/em><\/h2>\n\n\n\n<p>Andrea Pacijenca (1956-1988) za italijanski strip predstavlja su\u0161tinski preokret, skoro jedinstven po svojoj izuzetnosti, jedan od onih \u010dije su posledice bile me\u0111u najzna\u010dajnijim, ali najmanje shva\u0107enim.<br>Pacijenca se na samom po\u010detku predstavlja sa vanserijskim ostvarenjima: obdaren zapanjujuju\u0107im grafi\u010dkim sposobnostima, u stanju je, kako o samom sebi pi\u0161e bez la\u017ene skromnosti, da \u201enacrta bilo \u0161ta na bilo kakav na\u010din\u201c, prelaze\u0107i bez prekida, \u010desto na istoj ilustraciji, iz hiperrealizma na karikaturalne deformacije, bilo andergraund bilo komi\u010dne\/diznijevske, prolaze\u0107i kroz sve mogu\u0107e prelazne varijacije. Njegova literarna bravura jednaka je onoj grafi\u010dkoj: Pacijenca se izra\u017eava na italijanskom jeziku velike komunikativne snage, vitalnom, ritmi\u010dkom, istovremeno u\u010denom i \u017eargonskom, bogatom sna\u017enim neologizmima, koji se kre\u0107e od komi\u010dnog do tragi\u010dnog. Ako njegovim umetni\u010dkim kvalitetima dodamo i li\u010dnu harizmu, neuredan \u017eivot obele\u017een drogom, smrt u mladoj dobi, shvati\u0107emo kako je nastala legenda o ovom prokletom geniju, rokstaru italijanskog stripa.<br>Njegov najzna\u010dajniji rad je poluautobiografski grafi\u010dki roman \u201ePoslednji Pompejevi dani\u201c (1985-1987), surova i potresna pri\u010da o poslednjim danima jednog narkomana i njegovoj smrti usled samoubistva.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover ftb\">\n<div class=\"wp-block-group pb-5 slide-intro fup\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>11<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>pitanje identiteta<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group testo mt-5 pt-5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Li\u010dni identitet je opsesija decenije dru\u0161tvenih mre\u017ea. Izgradnja sopstvenog digitalnog identiteta \u0161iri se i na stvaran \u017eivot, u procesu sli\u010dnom kreaciji avatara u video igri. U Italiji opsesija prema li\u010dnom identitetu poprima tendenciju ka autobiografiji ili, jo\u0161 \u010de\u0161\u0107e, poluautobiografiji u kojoj se li\u010dno iskustvo preobra\u017eava u apsolutizovano preru\u0161avanje. Poku\u0161ava se dati odgovor na pitanje \u201eKo sam?\u201c bez bilo kakve istorijsko-politi\u010dke konotacije ve\u0107 \u010disto egzistencijalne, li\u010dne i individualne.<br>Poluautobiografija se nalazi u sredi\u0161tu \u0110ipijevog dela, najpoznatijeg predstavnika italijanskog grafi\u010dkog romana, koji je putem razli\u010ditih likova, na neki na\u010din njegovih autoportreta, analizirao razne faze svog \u017eivota, od problemati\u010dne adolescencije do aktuelnog stanja \u201eskoro poznatog\u201c umetnika.<br>Davide Revijati, slikar i autor stripa, opisao je gotovo epskim tonom najpre detinjstvo a zatim adolescenciju u dva uzbudljiva ostvarenja \u010dija radnja se odvija sedamdesetih godina u oblasti reke Po.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 ft\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zuzu.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em><em>Zuzu, <strong>Chees<\/strong>, 2019<\/em><\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 fb\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Gipi, <strong>La mia vita disegnata male<\/strong>, 2008<\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">12<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>\u0110ipi,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-1.jpg\" alt=\"\" class=\"wp-image-299\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em>Unastoria, <\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em>2013<\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-2.jpg\" alt=\"\" class=\"wp-image-300\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gipi-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em>Land of the Sons, <\/em><\/strong><\/em><\/strong><em><em>2016<\/em><\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>\u0110ipi<\/strong><\/em><\/h2>\n\n\n\n<p>\u0110an Alfonso Pa\u010dinoti, poznat pod pseudonimom \u0110ipi, glavni je predstavnik italijanskog grafi\u010dkog romana XXI veka. Obdaren dramati\u010dnom senzibilno\u0161\u0107u, \u0110ipi (ro\u0111en 1963) odrasta u mrtvoj provincijskoj sredini koja je naizgled bez izlaza. Posle godina nemirne mladosti provedene na ulici, njegov izra\u017eeni talenat za crte\u017e pru\u017ea mu profesionalnu i egzistencijalnu perspektivu, na po\u010detku u oblastima koje nisu bliske stripu kao \u0161to su grafika, reklamna industrija, ilustracija. Prava afirmacija u stripu sti\u017ee sa grafi\u010dkim romanom \u201eBele\u0161ke za jednu ratnu pri\u010du\u201c (2005), sa kojim osvaja glavne evropske nagrade. Ovaj roman se bavi prelazom iz mladosti u odraslo doba u kontekstu hipoteti\u010dkog rata koji se odvija i u mestima autorovog porekla. To je poluautobiografska knjiga koja ne govori direktno o ratu ve\u0107 ga upotrebljava kao metaforu, omogu\u0107uju\u0107i \u0110ipiju da se suo\u010di sa svojom nemirnom mlado\u0161\u0107u, sa prijateljima koje je uni\u0161tila droga ili su zavr\u0161ili na marginama dru\u0161tva snalaze\u0107i se na razne na\u010dine, a pre svega sa ose\u0107ajem krivice \u0161to je on sam iza\u0161ao iz tog sveta, \u0161to je pre\u017eiveo.<br>Me\u0111u njegovim najboljim knjigama je i \u201eJednapri\u010da\u201c (2013) koja govori o piscu koji odjednom poludi i biva hospitalizovan u psihijatrijsku ustanovu. Jo\u0161 jednom \u0110ipi predstavlja poluautobiografski lik obuzet novim ose\u0107anjem krivice, onim koji ose\u0107a sada ve\u0107 afirmisani autor \u0161to \u017eivi, skoro kao privilegovan, u svetu pri\u010da.<\/p>\n\n\n\n<p>Godine 2016. izlazi \u201eZemlja dece\u201c u kojoj se \u0110ipi vra\u0107a pripovedanju \u010diste fikcije, koja je i o\u0161tra refleksija o o\u010dinstvu: u postatomskoj budu\u0107nosti jedan otac \u010dini sve da bi vaspitao decu dr\u017ee\u0107i ih daleko od pisanja i, stoga, od svakog pam\u0107enja onoga \u201epre\u201c. Koliko god on to \u010dinio za njihovo dobro, deca \u0107e se na kraju neminovno pobuniti.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-9 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">13<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Davide Revijati,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-morti-di-sonno.jpg\" alt=\"\" class=\"wp-image-302\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-morti-di-sonno.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-morti-di-sonno-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-morti-di-sonno-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em>Morti di sonno, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em>2009<\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-spit-three-times-sx.jpg\" alt=\"\" class=\"wp-image-303\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-spit-three-times-sx.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-spit-three-times-sx-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-reviati-spit-three-times-sx-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em>Spit Three Times, <\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em>2009<\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Davide Revijati<\/strong><\/em><\/h2>\n\n\n\n<p>Davide Revijati (ro\u0111en 1966) jedan je od najosobenijih glasova italijanskog grafi\u010dkog romana. \u201eMrtvi umorni\u201c je pri\u010da, nastala na osnovu autobiografskih iskustava, o grupi de\u010daka koji pred kraj sedamdesetih godina odrastaju u jednom malom mestu, izgra\u0111enom pored velike rafinerije. U senci fabrike, sa njenim isparenjima, opasnostima i prisustvom koje je istovremeno prete\u0107e i umiruju\u0107e, de\u010daci \u017eive bajkovit period svog \u017eivota, u znaku fudbala pre svega, gde Revijati pripovedanje o detinjstvu boji epskim tonovima. U naraciji koja se odvija po pojedina\u010dnim epizodama, individualno evociranim u dimenziji uspomene i sjedinjenim u jednoj slo\u017eenoj fresci vi\u0161e nego u linearnoj pri\u010di, bezbrojne fudbalske utakmice \u010dine nit vodilju i vezivno tkivo.<br>Ako je delo \u201eMrtvi umorni\u201c govorilo o detinjstvu, \u201ePljuni tri puta\u201c bavi se adolescencijom, sa istim poluautobiografskim premisama, istom strukturom romana reke (knjiga ima vi\u0161e od 500 stranica), u epizodama, sa sli\u010dnom podelom uloga. Protagonisti su grupa mladi\u0107a koji \u017eive u anonimnoj seoskoj provinciji. U prethodnoj knjizi fudbal je predstavljao nit vodilju a ovde je to odnos sa jednom porodicom Cigana, koja \u017eivi u blizini tog mesta, sa kojom protagonisti uspostavljaju dvosmislen odnos. I oni, kao i svi drugi, tretiraju ih sa istim nepoverenjem i rasizmom, ali autor ipak ostavlja mogu\u0107nost osnovnog dijaloga izme\u0111u ove dve grupe koje, uprkos razlikama, ne odbacuju jedna drugu vo\u0111ene predrasudama.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover ftb\">\n<div class=\"wp-block-group pb-5 slide-intro fup\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>14<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>aktivisti<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group testo mt-5 pt-5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Povezan sa temom identiteta, aktivizam manjina jo\u0161 je jedan fenomen koga su naglasile nove komunikacione tehnologije. Zbog svoje neposrednosti, strip je naro\u010dito pogodan za ovu svrhu i brojni glasovi mladih autora nosioci su najrazli\u010ditijih dru\u0161tvenih zahteva. Zerokalkare, koji je veoma poznat danas u Italiji, sa humorom govori o svom \u017eivotu usvajaju\u0107i ta\u010dke gledi\u0161ta marginalaca, bilo da je re\u010d o deci iz socijalnih centara ili Kurdima u borbi protiv ISIS-a. Silvija Cike, Vana Vin\u010di, Sara Kolaone i mnoge druge autorke dosledno se bave temom feminizma. D\u017eozefin Jole Sinjoreli, poznata pod pseudonimom Fumetibruti, prva je autorka koja je javno govorila o iskustvima trans osoba.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 ft\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/ziche.jpg);background-color:#211e16\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Silvia Ziche, <strong>Lucrezia<\/strong>, 2010<\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 fb\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vinci.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Vanna Vinci, <strong>Doppio sogno<\/strong>, 1994<\/em><\/h2>\n\n\n\n\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-10 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">15<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Zerokalkare,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-macerie-prime.jpg\" alt=\"\" class=\"wp-image-316\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-macerie-prime.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-macerie-prime-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-macerie-prime-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em>Macerie prime, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em>2017<\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-kobane-calling.jpg\" alt=\"\" class=\"wp-image-315\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-kobane-calling.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-kobane-calling-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/zerocalcare-kobane-calling-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em>Kobane Calling, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em>2016<\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Zerokalkare<\/strong><\/em><\/h2>\n\n\n\n<p>Zerokalkare, pseudonim Mikelea Reka (ro\u0111enog 1983), predstavlja najzna\u010dajniji izdava\u010dki fenomen italijanskog stripa od po\u010detka ere grafi\u010dkih romana. Zerokalkare, koji odrasta u jednom kvartu u Rimu, po\u010dinje da opisuje svoja iskustva iz svakodnevnog \u017eivota na blogu, u kratkim pri\u010dama protkanim postmodernim humorom i referencama na pop kulturu. Pored njega svita sporednih likova nastalih po ugledu na prijatelje i rodbinu, i jedan armadilo, imaginarni lik koji omogu\u0107uje Zeru da ispolji svoje unutra\u0161nje dijaloge. U svojim pri\u010dama govori o nestabilnoj generaciji tridesetogodi\u0161njaka, pritisnutoj izme\u0111u povremenih poslova i kratkoro\u010dnih ugovora, generaciji koju silom prilika karakteri\u0161e postadolescentski na\u010din \u017eivota a jedine vrednosti koje ih zbli\u017eavaju jesu privr\u017eenost kvartu i skup ideja koje pripadaju fikciji. Generacijski efekat u osnovi je nevi\u0111enog uspeha, postignutog za kratko vreme, koji je podstakao autora da pre\u0111e na papir i usvoji du\u017ei format, \u0161to mu je donelo izuzetne rezultate.<br>\u201eKobani zove\u201c (2016) jedna je od njegovih najzrelijih i najuspe\u0161nijih knjiga. Zero, u dru\u0161tvu nekoliko prijatelja i aktivista, kre\u0107e na dug put u Kobani, u sirijski Kurdistan, grad koji je postao simbol otpora kurdskog naroda protiv ISIS-a u okviru dugog gra\u0111anskog rata u Siriji. Lik Zerokalkare, ve\u0107 poznat generacijama \u010ditalaca, po prvi put preuzima druga\u010diju ulogu, ulogu vodi\u010da i glasa razuma u ogromnom problemu koji se ne odnosi isklju\u010divo na kurdski rat ve\u0107 uop\u0161teno i na dramati\u010dno a \u010desto i licemerno sukobljavanje izme\u0111u Zapada i islamskog sveta.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-11 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">16<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Fumetibruti,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-1.jpg\" alt=\"\" class=\"wp-image-318\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>P. La mia adolescenza trans,<\/em><\/strong><br><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em>2019<\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-2.jpg\" alt=\"\" class=\"wp-image-319\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/fumettibrutti-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em>P. La mia adolescenza trans,<\/em><\/strong><br><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em>2019<\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Fumetibruti<\/strong><\/em><\/h2>\n\n\n\n<p>D\u017eozefin Jole Sinjoreli (ro\u0111ena 1991), poznata kao Fumetibruti, predstavlja se svojim stripovima objavljenim na dru\u0161tvenim mre\u017eama. Re\u010d je o kratkim provokativnim sadr\u017eajima koji se bez dlake na jeziku i bez ose\u0107aja krivice bave temama poput seksa, ose\u0107anja, identiteta, razli\u010ditosti, usamljenosti. Njen stil je namerno neodre\u0111en, kadar da vizuelno prenese egzistencijalnu prazninu iz koje njeni likovi, a sa njima i autorka, o\u010dajni\u010dki \u017eele da iza\u0111u. Njena prva knjniga, \u201eEksplicitni roman\u201c (2018), jeste poluautobiografska pri\u010da o jednoj ljubavi koja se lo\u0161e zavr\u0161ila. Narednim delom, \u201eP. moja trans adolescencija\u201c (2019), Sinjoreli se u potpunosti ogoljuje i pri\u010da o pote\u0161ko\u0107ama, odlu\u010dnosti, bolu, ponosu i o putu prihvatanja sebe, mlade transeksualke, koja \u017eivi u neprijateljskom i konzervativnom dru\u0161tvu.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover ftb\">\n<div class=\"wp-block-group pb-5 slide-intro fup\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>17<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>intelektualci<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group testo mt-5 pt-5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Za mnoge autore strip je pre svega izraz vizije sveta, sofisticirano sredstvo putovanja kroz li\u010dno istra\u017eivanje. Igort, koji je i re\u017eiser, koristi strip kako bi pri\u010dao o svojim intelektualnim strastima, u znaku prefinjene egzotike; Paolo Ba\u010dilijeri polazi od podzemlja da bi govorio o svojoj nadrealnoj ali kulturnim referencama bogatoj svakodnevici; Tuono Petinato (nadimak poti\u010de od Borhesa) sa bezbri\u017enim humorom govori o svojim putevima kroz visoku i nisku kulturu; \u0110akomo Nani istra\u017euje odnos izme\u0111u \u010doveka i prirode daju\u0107i glas \u017eivotinjama, predmetima, \u010dak i katastrofalnim pojavama kao \u0161to su zemljotresi.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 ft\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/ausonia.jpg);background-color:#211e16\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Ausonia, <strong>Interni<\/strong>, 2008-2011<\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 fb\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/nanni.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Giacomo Nanni, <strong>Cronachette<\/strong>, 2007<\/em><\/h2>\n\n\n\n\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-12 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">18<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Igort,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-5-e\u0300-il-numero-perfetto.jpg\" alt=\"\" class=\"wp-image-324\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-5-e\u0300-il-numero-perfetto.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-5-e\u0300-il-numero-perfetto-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-5-e\u0300-il-numero-perfetto-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>5 \u00e8 il numero perfetto, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em>2002<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-quaderni-giapponesi.jpg\" alt=\"\" class=\"wp-image-325\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-quaderni-giapponesi.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-quaderni-giapponesi-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/igort-quaderni-giapponesi-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Quaderni giapponesi, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em>2015<\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Igort<\/strong><\/em><\/h2>\n\n\n\n<p>Igor Tuveri, poznat kao Igort, u stalnom je traganju za \u201ene\u010dim drugim\u201c u geografskom i hronolo\u0161kom smislu, a taj stav se ogleda u poletu \u010de\u017enjive ali intelektualne egzoti\u010dnosti. Preto\u010dio je svoja bitno razli\u010dita interesovanja u introvertne i intelektualne stripove, oboga\u0107ene kako tekstualnim tako i vizuelnim referencama. Zahvaljuju\u0107i Igortu osnovana je izdava\u010dka ku\u0107a \u201eCoconino Press\u201c, prva koja je na odgovaraju\u0107i na\u010din uvela strip u knji\u017earu, otvaraju\u0107i sezonu modernih italijanskih grafi\u010dkih romana.<br>\u201e5 je savr\u0161en broj\u201c (2002) je njegovo najpoznatije delo koje je nedavno postalo i film, vrlo cenjen od strane kritike, \u010dime ovaj autor debituje kao filmski reditelj. To je napuljski noar, u kojem se stari kamorista vra\u0107a mafija\u0161kim putevima kako bi osvetio svog sina, tako\u0111e pla\u0107enog ubicu mafije, na prevaru ubijenog od strane svoje \u017ertve. Re\u010d je o noaru koji je, izme\u0111u evropskih uticaja (francuski noar ala Melvil), ameri\u010dkih (mada nije dostigao njegove groteskne ekstreme, \u010cester Guld i njegove stilizacije) i orijentalnih (hongkon\u0161ki hardboiled), istovremeno tradicionalan i originalan, naro\u010dito po sme\u0161tanju u napuljski ambijent. Nije to samo pitanje geografije: kad je re\u010d o kamoristi\u010dkoj antropologiji, Igort dobro opisuje podre\u0111enost porodici, licemernu bliskost sa religijom, ponos pripadnosti i \u201edobro obavljenog posla\u201c, iako je taj posao ubijanje.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-13 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">19<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Paolo Ba\u010dilijeri,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-durasagra.jpg\" alt=\"\" class=\"wp-image-327\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-durasagra.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-durasagra-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-durasagra-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Durasagra, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em>2006<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-la-magnifica-desolazione.jpg\" alt=\"\" class=\"wp-image-328\" width=\"172\" height=\"251\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-la-magnifica-desolazione.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-la-magnifica-desolazione-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/paolo-bacilieri-la-magnifica-desolazione-701x1024.jpg 701w\" sizes=\"auto, (max-width: 172px) 100vw, 172px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>La magnifica desolazione, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em>2007<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Paolo Ba\u010dilijeri<\/strong><\/em><\/h2>\n\n\n\n<p>Paolo Ba\u010dilijeri (ro\u0111en 1965) na originalan na\u010din opisuje grotesknu svakodnevicu. \u201eVeli\u010danstvena ucveljenost\u201c je jedno od njegovih najpotpunijih dela, ono u kojem se na najbolji na\u010din razvija istovremeno prisustvo nadrealizma i jedne izobli\u010dene ali prisne svakodnevice. U svetu grafi\u010dkog romana \u201eVeli\u010danstvena ucveljenost\u201c, Zeno Porno, alter ego autora, scenarista je Diznijevih stripova koji ne uspeva da ponudi originalne scenarije i neprestano reciklira ideje Karla Barksa; u sentimentalnoj je krizi, ima oca kojeg proganja prelepa agentkinja CIA jer je visok trideset metara, prijatelja sa nagr\u0111enim licem koji ga uvla\u010di u te\u0161ko ostvarljivu ekspediciju na Mesec, u jednoj Italiji koju su preplavili bezopasni zombiji, bezopasni upravo zbog toga \u0161to su Italijani. Sme\u0161tanje radnje u groteskni ambijent slu\u017ei isklju\u010divo tome da bi se istakla izgubljenost \u010doveka koji do\u017eivljava ljudsku i profesionalnu krizu, a na kraju upravo jedna najnormalnija vizija, koja predstavlja porodicu stranih turista na izletu brodi\u0107em na venecijanskom ostrvu Tor\u010delo, u Zenu izaziva prosvetljenje: konstataciju da se u izvesnom trenutku, iz nedoku\u010divih razloga, nesre\u0107a povla\u010di a nada po\u010dinje da podi\u017ee glavu.<br>Zeno Porno se vra\u0107a u delu \u201eZabava\u201c (2016), fantasti\u010dnoj igri uklapanja koja, po\u010dev od jedne narativne dosetke koja se zasniva na ukr\u0161tenim re\u010dima, zami\u0161lja \u017eivot kao su\u0161tinski analognu igru uklapanja, \u010dija koncepcija, naizgled bez re\u0161enja, u stvarnosti uvek, na ovaj ili onaj na\u010din, biva razre\u0161ena.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-14 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">20<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Tuono Pettinato,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-oramai-sx.jpg\" alt=\"\" class=\"wp-image-331\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-oramai-sx.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-oramai-sx-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-oramai-sx-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>OraMai, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em>2014<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-garibaldi.jpg\" alt=\"\" class=\"wp-image-330\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-garibaldi.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-garibaldi-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/tuono-pettinato-garibaldi-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Garibaldi. Resoconto veritiero delle sue valorose imprese,<\/em><\/strong><br><strong><em>ad uso delle giovani menti,<\/em><\/strong><br><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em>2010<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Tuono Pettinato<\/strong><\/em><\/h2>\n\n\n\n<p>Jednostavan ali obrazovan, sledbenik individualnog puta koji vodi ka \u201efilozofskom razmi\u0161ljanju izra\u017eenom pomo\u0107u figura\u201c, Tuono Petinato (pseudonim Andree Pa\u0111ara, ro\u0111enog 1976) jedan je od najneobi\u010dnijih predstavnika savremenog italijanskog stripa. Njegov pseudonim dolazi od Borhesa i sam je po sebi poeti\u010dan. Polaze\u0107i od humoristi\u010dke stilizacije, skoro detinjske u svojoj lako\u0107i, me\u0161aju\u0107i bez prekida reference iz visoke kulture sa onima koje su izrazito popularne, Tuono Petinato izra\u017eava ironiju koja na neverovatan na\u010din sinteti\u0161e ono \u0161to je naizgled jednostavno ali ujedno zna\u010dajno delo u \u0161irenju kulture, a u stvari je re\u010d o li\u010dnim poimanjima zabele\u017eenim na papiru. Vrlo \u010desto je i on sam lik u svojim stripovima, predstavljen kao karikatura, \u0107elav sa bradom, obu\u010den u crno sa lobanjom oslikanom na majici, svojevrstan ne\u017eni hevimetalac.<br>Me\u0111u najzna\u010dajnijm knjigama nalazi se \u201eGaribaldi. Istinit prikaz njegovih hrabrih poduhvata, na kori\u0161\u0107enje mladim umovima\u201c (2010), istinita pri\u010da o Garibaldiju, ispri\u010dana na ironi\u010dan ali ne banalizovan na\u010din, ni u delima ni u stavovima koji su pokretali Heroja dvaju svetova. Knjiga ne krije pomalo naivan Garibaldijev idealizam, iskonsku mr\u017enju prema papi i sve\u0161tenicima, neprijateljstvo prema Kavuru i politikantima: i kad je ve\u0107 tu, Tuono koristi priliku i da satiri\u010dno pi\u0161e o vaspitanju Italijana koje je od njega napravilo sveca.<br>\u201eTela\u0161ce\u201c (2013) predstavlja izuzetno o\u0161tar pamflet, u formi crne bajke, o medijskoj spektakularizaciji bola: jedno dete biva ubijeno, mno\u0161tvo informacija se nezadr\u017eivo \u0161iri u kre\u0161endu gadosti u kojima ubistvo predstavlja samo prvi, tragi\u010dan izraz.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover ftb\">\n<div class=\"wp-block-group pb-5 slide-intro fup\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>21<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>naratori<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group testo mt-5 pt-5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Narativna dimenzija romana preovla\u0111uje u radu Vitorija \u0110ardina, autora koji je prevashodno zainteresovan za istoriju, bilo da se radi o \u0160panskom gra\u0111anskom ratu ili doga\u0111ajima u biv\u0161oj \u010cehoslova\u010dkoj, koji su u uzbudljivom grafi\u010dkom romanu opisani od Pra\u0161kog prole\u0107a do pada komunizma. Leo Ortolani, humorista izrazitog talenta, ume\u0107e svoje gegove u \u010dvrstu narativnu strukturu inspirisanu superherojskim ameri\u010dkim stripom, a zabavnom sadr\u017eaju pridru\u017euje li\u010dnije, \u010dak i kontroverzne teme, uvek obra\u0111ene sa senzibilno\u0161\u0107u i lako\u0107om. Iako u svojoj kratkoj formi, pripovedanje zauzima centralni deo stvarala\u0161tva \u0110akoma Montija, autora minimalisti\u010dkih skica \u0161to evociraju halucinativnu realnost koja je negde izme\u0111u hiperrealisti\u010dne degradacije i iznenadnih grotesknih delova.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 ft\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/davide-toffolo.jpg);background-color:#211e16\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Davide Toffolo, <strong><strong><em>Tr\u00e8s!<\/em><\/strong><\/strong>, 2007<\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 fb\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lorenzo-palloni.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Lorenzo Palloni, <strong>La lupa<\/strong>, 2019<\/em><\/h2>\n\n\n\n\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-15 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">22<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Vitorio \u0110ardino,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-jonas-fink.jpg\" alt=\"\" class=\"wp-image-336\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-jonas-fink.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-jonas-fink-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-jonas-fink-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Jonas Fink, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em>1997-2018<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-max-fridman.jpg\" alt=\"\" class=\"wp-image-337\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-max-fridman.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-max-fridman-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/vittorio-giardino-max-fridman-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Max Fridman &#8211; No pasaran,<\/em><\/strong><br><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em>1999-2008<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Vitorio \u0110ardino<\/strong><\/em><\/h2>\n\n\n\n<p>Vitorio \u0110ardino (Bolonja, 1946) pre svega je izvanredan narator koji bri\u017eljivo gradi svoje zaplete, stvaraju\u0107i \u010dvrste osnove na kojima se, \u010dini se, prepoznaje njegovo in\u017eenjersko obrazovanje. Vizuelno, \u0110ardino postepeno usvaja linije frankofonskih korena, postaju\u0107i njihov glavni predstavnik u Italiji.<br>Istorija je glavno \u0110ardinovo interesovanje: \u017eanrovski likovi i narativni mehanizmi u slu\u017ebi su istorijskog senzibiliteta koji nije fokusiran na velike doga\u0111aje i zna\u010dajne protagoniste, a ni na one niskog porekla, shva\u0107ene ideolo\u0161ki kao klasa pot\u010dinjena istoriji. Ono \u0161to interesuje \u0110ardina su obi\u010dni gra\u0111ani, socijalni milje, mentalitet, politi\u010dki i ideolo\u0161ki mehanizmi koji odre\u0111uju istorijski kontekst. Interesovanje za istoriju, kao plod pa\u017eljivog izu\u010davanja dokumentacije, naro\u010dito je o\u010digledno u ostvarenju \u201eNo pasaran\u201c, u kojem lutanja protagoniste Maksa Fridmana, nekada\u0161njeg francuskog \u0161pijuna u potrazi za prijateljem koji je nestao, izgledaju skoro kao povod da se opi\u0161e \u0160panija u doba gra\u0111anskog rata.<br>Isto interesovanje za istoriju o\u010digledno je i u ostvarenju \u201eJonas Fink\u201c, najambicioznijem \u0110ardinovom delu, u kojem posredstvom protagoniste pripoveda o \u017eivotu u komunisti\u010dkoj \u010cehoslova\u010dkoj od 1950. do 1968, sa epilogom sme\u0161tenim u 1990. godinu posle pada Berlinskog zida. Ovaj slo\u017eeni roman u tri dela, koji je izlazio u periodu du\u017eem od dvadeset godina (\u201eDetinjstvo\u201c, 1991, \u201eAdolescencija\u201c, 1998, \u201eKnji\u017ear iz Praga\u201c, 2017), pripoveda pri\u010du o odrastanju de\u010daka jevrejskog porekla u komunisti\u010dkom Pragu, \u010diji je otac utamni\u010den iz nepoznatih politi\u010dkih razloga.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">23<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Leo Ortolani, <strong><strong><em>Cinzia<\/em><\/strong><\/strong>, 2018<\/em><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-1.jpg\" alt=\"\" class=\"wp-image-339\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-2.jpg\" alt=\"\" class=\"wp-image-340\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leo-ortolani-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Leo Ortolani<\/strong><\/em><\/h2>\n\n\n\n<p>Leo Ortolani (ro\u0111en 1967), oduvek ljubitelj superheroja i instiktivan i nepresu\u0161an humorista, transformisao je samoproduciranu parodiju na Betmena u najzna\u010dajniji popularni strip fenomen u poslednjih dvadeset godina. Nakon \u0161to je zavr\u0161ena duga serijalizacija Rat-Mana, njegovog lika, Ortolani se sve vi\u0161e posvetio dugoj formi grafi\u010dkog romana, obra\u0111uju\u0107i svojim stilom i uobi\u010dajenim humorom i osetljive teme. Naro\u010dito se isti\u010de grafi\u010dki roman \u201e\u010cincija\u201c (2018) posve\u0107en sporednom liku iz serije Rat-Man, koji predstavlja osetljiv i pa\u017eljiv pogled na iskustvo trans osoba. Njegova najnovija knjiga \u201eSve \u0107e biti u redu\u201c predstavlja dnevnu hroniku krize Kovida-19 koja je preko dru\u0161tvenih mre\u017ea bila uz mnoge Italijane tokom tog te\u0161kog perioda.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-17 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">24<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>\u0110akomo Monti,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-nessuno-ti-fara-del-male.jpg\" alt=\"\" class=\"wp-image-345\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-nessuno-ti-fara-del-male.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-nessuno-ti-fara-del-male-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-nessuno-ti-fara-del-male-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Nessuno ti far\u00e0 del male, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em><em>2010<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-camicia-sx.jpg\" alt=\"\" class=\"wp-image-344\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-camicia-sx.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-camicia-sx-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/giacomo-monti-camicia-sx-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Camicia, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em>2010<\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>\u0110akomo Monti<\/strong><\/em><\/h2>\n\n\n\n<p>Autor kratkih pri\u010da, \u0110akomo Monti (1975), postao je poznat sa antologijom \u201eNiko mi ne\u0107e nauditi\u201c, jednom od najboljih italijanskih knjiga XXI veka. Montijeve pri\u010de su esencijalne, minimalisti\u010dke, prividno realisti\u010dke, ali ponekad sa fantasti\u010dnim preokretom koji samo podvla\u010di suptilni apsurd svakodnevice.<br>Najbolje pri\u010de su pravi mali dragulji. \u201eKo\u0161ulja\u201c pripoveda o susretu jednog \u010doveka sa prostitutkom, ali se koncentri\u0161e na brbljarije koje to dvoje razmenjuju posle odnosa, i na njene kritike zbog na\u010dina na koji on nosi svoju ko\u0161ulju. \u201eTrans\u201c je surovi flash od jedva dve stranice u kojem dva \u010doveka prilaze jednom transeksualcu i divlja\u010dki ga tuku. \u201eTrans 2\u201c, koji od prethodne pri\u010de deli mnogo stranica, preokre\u0107e situaciju i pokazuje osvetu pretu\u010denog transeksualca koji se transformi\u0161e u \u010dudovi\u0161te i ubija dva \u010doveka koja su ga tukla. \u201eNiko ti ne\u0107e nauditi\u201c, koja, sa izuzetkom promene zamenice, daje naslov zbirci, hronika je jedne nadrealne bra\u010dne krize, sa tom specifi\u010dno\u0161\u0107u \u0161to je re\u010d o vanzemaljki koja se iskrcala pred jednim seljakom koji s vremenom po\u010dinje da se prema njoj pona\u0161a kao prema supruzi.<br>Montijevi protagonisti su kurve i \u017eenskaro\u0161i, konobari, \u0161ankeri, varalice: obi\u010dni ljudi, predstavljeni u kratkim trenucima prosvetljenosti. Uprkos tome \u0161to minimalizam navodi na misao o realisti\u010dkom pristupu, upravo je suprotno: u njihovoj banalnosti, Monti opisuje epifanijske, odlu\u010duju\u0107e momente.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover ftb\">\n<div class=\"wp-block-group pb-5 slide-intro fup\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\"><em>25<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><em><strong><em>vizionari<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group testo mt-5 pt-5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p>Italijanski strip ima sna\u017enu tradiciju autora vizionara posve\u0107enih vizuelnom stripu koji ima tendenciju ka stvaranju atmosfere i emocija evociranih putem slika. Lorenco Matoti, svetski poznat autor stripa, animator i ilustrator, autor je stripova izvanredne izra\u017eajne snage u znaku opse\u017ene vizuelne kulture; Fran\u010deska Germandi stvara nadrealne, energi\u010dne i dinami\u010dne svetove; Gabrijela \u0110andeli prefinjenom upotrebom boje evocira elegantne prigu\u0161ene atmosfere; Manuele Fjor razvija gotovo neopipljive zaplete koji se konkretizuju u sna\u017enom emotivnom naboju njegovih figura; Lrnz, koji je ujedno i dizajner i animator, autor je grafi\u010dkog, sinteti\u010dkog stripa, bogatog uticajima ali apsolutno li\u010dnog.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 ft\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/leila-marzocchi.jpg);background-color:#211e16\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Leila Marzocchi, <strong><strong><em>Niger<\/em><\/strong><\/strong>, 2005-2017<\/em><\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group vh100 fb\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover aligncenter\" style=\"background-image:url(https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/palloni-martoz.jpg)\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group blackblock\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><em>Lorenzo Palloni and Martoz, <strong>Instantly Elsewhere<\/strong>, 2018<\/em><\/h2>\n\n\n\n\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n\n<\/div><\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-18 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">26<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Lorenco Matoti<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lorenzo-mattotti.jpg\" alt=\"\" class=\"wp-image-351\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lorenzo-mattotti.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lorenzo-mattotti-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lorenzo-mattotti-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>L\u2019uomo alla nestra, <\/em><\/strong><em>Lilia Ambrosi and Lorenzo Mattotti, <\/em><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em>1992<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/kramsky-mattotti-sx.jpg\" alt=\"\" class=\"wp-image-350\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/kramsky-mattotti-sx.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/kramsky-mattotti-sx-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/kramsky-mattotti-sx-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><em><em><em><em><em><em><em><em><em>and <em>Jerry Kramsky<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><em>, <\/em><strong><em>Jekyll &amp; Hyde, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em>2012<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Lorenco Matoti<\/strong><\/em><\/h2>\n\n\n\n<p>Lorenco Matoti (1954) je autor prefinjenog, introspektivnog stripa, koji se ne oslanja na naraciju ni na figuraciju, ve\u0107 na predstavljanje onoga \u0161to nije mogu\u0107e predstaviti, promenljivih emocija koje udahnjuju \u017eivot unutra\u0161njem pejza\u017eu u stalnoj promeni. Daleko kako od realizma popularnog stripa tako i od svake kodifikovane stilizacije, Matoti svojim unutra\u0161njim traganjima prilago\u0111ava promenljiv i fluidan stil, kadar da prelazi iz najsna\u017enijeg hromatizma u crno i belo koji su bli\u017ei grafici, od ekspresionisti\u010dkih mrlja boja do uvek elegantne, meke i valovite linije.<br>Koliko god da ne odbija da se pokatkad pozabavi i tekstovima, Matotijevo bavljenje stripom je u znaku saradnje sa raznim piscima, a me\u0111u njima je najistrajniji njegov davna\u0161nji drugar, Fabricio Ostani (1953), koji stvara pod pseudonimom D\u017eeri Kramski. Sa Kramskim realizuje delo \u201eVatre\u201c (1984) koje za Matotija ozna\u010dava prvi momenat sna\u017ene afirmacije u Italiji i u svetu. To je varijacija na konradovske atmosfere iz \u201eSrca tame\u201c, gde priroda postaje krivo ogledalo unutra\u0161njih opsesija likova.<br>U saradnji sa Kramskim realizovana je i poslednja Matotijeva knjiga, \u201eVenac\u201c (2017), najimpozantnija koju je ikad realizovao: skoro \u010detiri stotine stranica za koje je trebalo deset godina rada. To je pri\u010da na pola puta izme\u0111u mita i bajke, fantazija donekle inspirisana finskim Muminima, u kojoj se \u010dini da je magi\u010dni svet evociran od strane Kramskog stvoren s namerom da se istaknu Matotijeve rafinirane ilustrativne sposobnosti.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-19 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">27<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Fran\u010deska Germandi,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-cronache-dalla-palude.jpg\" alt=\"\" class=\"wp-image-353\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-cronache-dalla-palude.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-cronache-dalla-palude-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-cronache-dalla-palude-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Cronache dalla palude, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em><em>2010<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-hiawata-sx.jpg\" alt=\"\" class=\"wp-image-354\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-hiawata-sx.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-hiawata-sx-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/francesca-ghermandi-hiawata-sx-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Hiawata Pete, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em>1993<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Fran\u010deska Germandi<\/strong><\/em><\/h2>\n\n\n\n<p>Fran\u010deska Germandi (ro\u0111ena 1964) je autorka jednog stripa koji nije realisti\u010dan i tradicionalno narativan, a istovremeno je li\u0161en i eksplicitno kontrakulturalnih ili andergraund ambicija. To je strip koji odlikuje moderna sinteza i me\u0161oviti ambijent bitno razli\u010ditih savremenih umetni\u010dkih iskustava: slikarstva, dizajna, pripoveda\u010dke proze, \u010dak i muzike. Dakle re\u010d je o eksperimentalnom, sinestezijskom, potencijalno te\u0161kom stripu. Germandi, koja je i ilustratorka, ovoj bazi\u010dnoj impostaciji daje svoj dar za vizuelno, stvaraju\u0107i li\u010dni pop univerzum distinktivnih dark kontura.<br>Njen prvi grafi\u010dki roman je \u201eGrenuord\u201c, iz 2005, koji govori o grotesknom liku sa licem u obliku lobanje koji poku\u0161ava da pobegne iz jedne komplikovane veze i da zapo\u010dne nov \u017eivot. Ali, na kraju, za njega jedino re\u0161enje jeste da ponovo pobegne, svestan da se ni\u0161ta nije odista izmenilo.<br>Delo \u201eHronike iz bare\u201c (2010) vodi ka definitivnom sazrevanju autorkinog puta. Ovoga puta nema samo jednog protagoniste, ve\u0107 vi\u0161e njih koji se kre\u0107u u jednom grotesknom svetu, izme\u0111u jadikovki i nagove\u0161taja nade.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-20 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">28<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Gabrijela \u0110andeli,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-interiore.jpg\" alt=\"\" class=\"wp-image-356\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-interiore.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-interiore-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-interiore-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Interiore, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em><em>2005<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-lontano.jpg\" alt=\"\" class=\"wp-image-357\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-lontano.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-lontano-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/gabriella-giandelli-lontano-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>Lontano, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em>201<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><em><em><em><em><em><em><em><em><em><em>3<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Gabrijela \u0110andeli<\/strong><\/em><\/h2>\n\n\n\n<p>Gabrijela \u0110andeli (ro\u0111ena 1963) je sofisticirana i elegantna autorka, zaokupljena unutra\u0161njom dimenzijom svojih likova, koja na prefinjen na\u010din evocira intimne i napete atmosfere.<br>\u201eInteriorae\u201c pripoveda o Velikom Mraku, koji \u017eivi u podrumu svake zgrade i hrani se snovima njenih stanara; slu\u017ei ga jedan, svima nevidljivi, beli zec. Ali, jednoga dana neko dete ga je ugledalo i to je bio predznak nadolaze\u0107e katastrofe. Urbani pejza\u017e i zajedni\u010dki \u017eivot stanara, primeri razli\u010ditih ljudskih priroda, prikazani su sa velikom saose\u0107ajno\u0161\u0107u i te\u0161ko je ne zamisliti autorku kako posmatra svoje likove sa istom radoznalo\u0161\u0107u i ne\u017eno\u0161\u0107u sa kojom ih posmatra zec.<br>\u201eIspod li\u0161\u0107a\u201c, verovatno remek-delo autorke, ima za protagonistu jednog tajanstvenog nadzemaljskog posmatra\u010da koji je predstavljen kao \u0107elav \u010dovek, sa linijama iscrtanim na glavi i oko o\u010diju. Anonimni posmatra\u010d sti\u017ee u neko selo u \u0161umskom kraju, privu\u010den glasom prepunim besa i bola. Malo po malo, izlazi na videlo drama jednog deteta umrlog u \u0161umi pre vi\u0161e godina, njegovog brata koji je sada u srednjem dobu i stare majke, koja je imala ulogu u tom tragi\u010dnom incidentu. Tihe i napete atmosfere savr\u0161eno donose magiju \u0161ume, koja se pak savr\u0161eno sla\u017ee sa misterijom \u0161to okru\u017euje protagonistu i sa tajnom koju ljudski likovi prikrivaju na dnu svojih srca, kao sahranjenu pod jesenjim li\u0161\u0107em.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-21 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">29<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em>Manuele Fjor,<\/em><br><span class=\"dyncap\"><\/span><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-5000.jpg\" alt=\"\" class=\"wp-image-359\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-5000.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-5000-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-5000-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>5000 Km Per Second, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em><em><em>2010<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em> <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-the-interview.jpg\" alt=\"\" class=\"wp-image-360\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-the-interview.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-the-interview-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/manuele-fior-the-interview-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em><strong><em>The Interview, <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><em><em><em><em><em><em><em><em><em><em><em>2013<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/figcaption><\/figure>\n\n\n\n\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Manuele Fjor<\/strong><\/em><\/h2>\n\n\n\n<p>Postav\u0161i poznat jo\u0161 u mladosti, Manuele Fjor (ro\u0111en 1975), arhitekta po obrazovanju, danas je jedan od najuva\u017eenijih italijanskih autora na me\u0111unarodnoj sceni grafi\u010dkog romana.<br>\u201ePet hiljada kilometara u sekundi\u201c (2010) predstavlja njegov prvi veliki uspeh i u pitanju je pri\u010da o ljubavnom trouglu koji traje decenijama. On i ona se vole, napu\u0161taju jedno drugo, gube se u matici \u017eivota koja ih vodi na druga mesta. Na kraju se, posle mnogo godina, pronalaze u malom mestu u unutra\u0161njosti u kojem je sve po\u010delo, ali za njih ostaje samo prostor za uspomene i \u017ealjenje.<br>Fjor je sofisticirani autor, obrazovan, lepo ga je \u010ditati i gledati, fasciniran je fizi\u010dkim i psiholo\u0161kim detaljima, skrivenim motivacijama pona\u0161anja koje iznosi na scenu sa nedosti\u017enom prirodno\u0161\u0107u.<br>Romanom \u201eIntervju\u201c (2013), Fjor potvr\u0111uje svoju vrednost: savr\u0161enu prirodnost dijaloga, fluidnost montiranja i naracije, interesovanje za prolazne veze koje ostavljaju \u010ditaocu veliki prostor za dvosmislenost i interpretaciju. Ovoga puta veza je izme\u0111u jednog psihologa i njegove mlade pacijentkinje, u nau\u010dnofantasti\u010dnom scenariju u kojem oboje, \u010dini se, imaju vizije koje nagove\u0161tavaju vanzemaljski kontakt. Njihov odnos se razvija ali ponovo prelazi u besciljnost.<br>Jednako elegantna je i njegova poslednja knjiga, \u201e\u010celestija\u201c, koja prikazuje Veneciju budu\u0107nosti ali koja izgleda kao da je iza\u0161la iz nekog sna, neuhvatljiva i poput lavirinta kao ona stvarna.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover nextbtn\">\n<div class=\"wp-block-columns are-vertically-aligned-center nopad is-layout-flex wp-container-core-columns-is-layout-22 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center pad is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center num\">30<\/p>\n\n\n\n<h2 class=\"twhite htop wp-block-heading\"><em><em>Lrnz<\/em>, <strong><strong><em><strong><em>Golem<\/em><\/strong><\/em><\/strong><\/strong>, 2015<\/em><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group toslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-1.jpg\" alt=\"\" class=\"wp-image-364\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-1.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-1-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-1-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1080\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-2.jpg\" alt=\"\" class=\"wp-image-365\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-2.jpg 739w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-2-205x300.jpg 205w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/lrnz-golem-2-701x1024.jpg 701w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center bgw textscroll is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"has-text-align-center mb-5 wp-block-heading\"><em><strong>Lrnz<\/strong><\/em><\/h2>\n\n\n\n<p>Izuzetno svestran umetnik Lorenco \u010cekoti, zvani Lrnz (ro\u0111en 1978), bavi se crtanjem, grafi\u010dkim dizajnom, animacijom i muzikom. U istoj meri posve\u0107en stripu, dizajnu i savremenoj umetnosti, Lrnz konstantno eksperimenti\u0161e sa izra\u017eajnim formama, materijalima i tehnologijama. U tom smislu strip je za njega samo jedan od bezbroj mogu\u0107ih puteva. Njegovo glavno delo kad je strip u pitanju jeste \u201eGolem\u201c (2015), ambiciozan grafi\u010dki roman sme\u0161ten u nau\u010dnofantasti\u010dni Rim u kojem je potro\u0161a\u010dki mentalitet velikih korporacija ispraznio iznutra dr\u017eavu i na neki na\u010din je zamenio. Ako radnja predstavlja klasi\u010dnu pri\u010du o pobuni protiv opresivnog sistema koju vode mladi autsajderi, vizuelna realizacija \u201eGolema\u201c slo\u017eena je i slojevita, kombinuje najrazli\u010ditije uticaje koji dolaze iz japanskog ali i zapadnog stripa, iz lepih umetnosti kao i iz industrijskog dizajna. Rezultat je sve\u017e i dinami\u010dan, eksplicitan u svojim referencama ali nikad derivativan. Monta\u017ea, odabir kadrova, crte\u017e koji mo\u017ee da poprimi najrazli\u010ditije registre i prefinjena upotreba boje \u010dine je jednom od najinteresantnijih knjiga novije scene u Italiji.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"section bgcover bgw\">\n<div class=\"wp-block-image fup\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"175\" src=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-1024x175.png\" alt=\"\" class=\"wp-image-499\" srcset=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-1024x175.png 1024w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-300x51.png 300w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli-768x131.png 768w, https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-content\/uploads\/sites\/4\/2020\/10\/madrid-loghi-percorso-pannelli.png 1399w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n<div class=\"mainmenu\">\n<a href=\"#italijanski-strip\" class=\"menu-italijanski-strip\">italijanski strip<\/a>\n<a href=\"#graficki-roman\" class=\"menu-graficki-roman\">grafi\u010dki roman<\/a>\n<a href=\"#autori\" class=\"menu-autori\">autori<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&hellip;<\/p>\n<p><a class=\"btn btn-dark btn-sm websoup-read-more-link\" href=\"https:\/\/fumettoitaliano.com\/iicbelgrado\/?sliders=fine-2\">Leggi tutto&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/blank.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-433","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/pages\/433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/comments?post=433"}],"version-history":[{"count":3,"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/pages\/433\/revisions"}],"predecessor-version":[{"id":558,"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/pages\/433\/revisions\/558"}],"wp:attachment":[{"href":"https:\/\/fumettoitaliano.com\/iicbelgrado\/wp-json\/wp\/v2\/media?parent=433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}